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Y selects the history brush. Shift-Y switches between the history brush and the art history brush tools. E selects the paintbrush-type eraser. Shift-E changes between the three styles of eraser standard, background, and magic. G permits you to draw gradients. Shift-G toggles between the gradient and the paint bucket tools. R selects the blur tool. Shift-R switches between the blur, sharpen, and smudge tools. O activates the dodge tool. Shift-O toggles between the dodge, burn, and sponge tools. A brings up the selection tool. Shift-A grants access to the direct selection tool. P gets you the pen tool. Shift-P switches between the pen and freeform pen tools. U starts you off with the rectangle tool. Shift-U cycles through the rectangle, rounded rectangle, ellipse, polygon, line, and custom shape tools. N selects the note tool. Shift-N toggles between the note and audio annotation tools. I selects the eyedropper. Shift-I goes between the eyedropper, the color sampler, and the measure tools. The control toggles X, Q, and F work as before. X swaps between the foreground and background colors. Q takes you in and out of the quick mask mode. F takes you from one image window mode to the next.

After you have your audio recorded, bear in mind that the overall level will be cumulative. You have to be careful when you mix all your tracks together so that you don t end up with too much level. This can often happen if everyone talks or laughs at once. Suddenly, you have not one track but two or three, all feeding your master mix. This is why you ll want to think about using a compressor on each track or across your master mix if your software allows it. Multi-track audio software is different in this manner, in that the effects you apply are not performed on the file. Instead, they are applied in real time as you play back the audio. In addition to being able to apply effects to each track, you can also apply effects to the master mix. In this situation, you could apply light compression to each of the input tracks and then a limiting compression to the master mix to make sure you never go into distortion.

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Python Object Integer Integer Integer Integer floating-point floating-point Complex 1 character string string string or buffer string or None string, buffer, or None string, Unicode, or buffer string, Unicode, or buffer String any object any object any object read-only char buffer read-write char buffer read-write char buffer Unicode object Unicode object Unicode string

These paths focus on the timing of your communications with your donors. The pre e-mail is an e-mail message letting your donors know they will be receiving a very important letter from your organization soon, but they can give online. A post e-mail reminds your donors they received a very important letter from your organization, and if they haven t given already, they can give easily online. As just stated, the best way to determine what path works best for your organization will be to perform a series of integrated appeal tests. What works best for one group s donors can be the complete opposite for another. Example: A national nonprofit with a large online donor base implemented a pree-mail program for each direct-mail package that went to both prospects and current donors. After a period of testing pre-e-mails with post-e-mails, it decided to use only the pre-e-mail path. The pre-e-mail online response rate remains around 1 percent, but the overall response rate per package has increased. While it may not drive significant online donations, people know the direct-mail piece is arriving in the mail soon, and they respond through the mail. It is an inexpensive exercise worth testing for your organization s donor base. Regardless of which path your organization decides upon for integrated appeals, the important things to remember are correlating the data between offline and online systems and messaging. The importance of proper messaging cannot be stressed enough when developing integrated appeals. Direct-mail letters do not work well as fundraising e-mails the messaging is not conducive to the e-mail format. E-mails fight for attention in your donors e-mail inboxes, and you want to capture their attention with your core message in a few seconds.

Allowed Lengths 0 255 characters 0 65535 characters 0 255 bytes 0 65535 bytes 0 255 characters 0 65535 characters 0 16777215 characters 0 4294967295 characters 0 255 bytes 0 65535 bytes 0 16777215 bytes (16MB) 0 4294967295 bytes (4GB) The field can contain one value from a predefined list of up to 65,535 values The field can contain zero or more values from a predefined list of up to 64 values

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